Movie Money Madness and The Hottest Ticket in Town


The Most Popular Attractions

1922


Robin Hood
Orphans of the Storm
Tess of the Storm Country
Blood and Sand
Oliver Twist
Dr. Jack
Smilin' Through
One Exciting Night
Foolish Wives
Manslaughter
1925


The Big Parade
The Gold Rush
The Freshman
Don Q, Son of Zorro
The Phantom of the Opera (tied with)
The Merry Widow
The Lost World (tied with)
Charley's Aunt
1923


The Covered Wagon
The Ten Commandments
The Hunchback of Notre Dame
Safety Last
Why Worry (tied with)
Rosita
1926


Ben-Hur
What Price Glory?
Beau Geste
For Heaven's Sake (tied with)
The Black Pirate (tied with)
Son of the Sheik
1924


The Iron Horse
The Sea Hawk
The Thief of Bagdad
Hot Water (tied with)
Girl Shy
America
1927


Wings
The Jazz Singer
King of Kings
The Kid Brother
The Gaucho
Uncle Tom's Cabin

Source:An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928, by Richard Koszarski


Top box office stars of 1924, according to a Film Daily poll of exhibitors:

Average weekly movie theatre attendance:

Source: http://www.amctv.com


The Price of the Picture: Directors' Salaries

From a confidential 1926 memo to Carl Laemmle from producer Paul Kohner.

Clarence Badger 1,500 weekly
William Beaudine 1,750 weekly
Monta Bell 25,000 per picture
Frank Borzage 1,500 weekly
Tod Browning 1,500 weekly
Christy Cabanne 1,000 weekly
James Cruze 50,000 per picture
Alan Dwan 50,000 per picture
George Fitzmaurice 50,000 per picture
Victor Fleming 1,500 weekly
John Ford 1,750 weekly
Edmund Goulding 1,500 weekly
Robert Z. Leonard 20,000 per picture
Ernst Lubitsch 175,000 per picture
Mickey Neilan 35,000 per picture
Fred Niblo 2,500 weekly
Victor Seastrom 2,500 weekly
Malcolm St. Clair 2,000 weekly
King Vidor 40,000 per picture
Erich von Stroheim 100,000 per picture
Raoul Walsh 1,500 weekly

Source:An Evening's Entertainment: The Age of the Silent Feature Picture, 1915-1928, by Richard Koszarski

 



More pages of facts..

A very brief and not so thorough history of animation in the silent era
From the 1924 Film Daily Yearbook
What silent stars have their prints in Grauman's (Mann's) "Forecourt of the Stars?"


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